blairmacg: (FeatherFlow)

Over the last couple days, I've mentioned here and there I'm in the process of evaluating career options, and a subset of that evaluation is choosing the fiction projects that'll come up once Breath of Stone is launched in the coming month(ish).


The overall career stuff is... complicated. A matter of deciding priorities, time expenditures, current needs, future plans, and professional satisfaction. Some things are working wonderfully, but I'm not certain I want to keep working them. Other things are more risky and will require time investment, but I'm drawn to them nonetheless. We shall see. :-)


Anyway! It was suggested I share my Next Project Dilemma to see what y'all might want to see next. So! *drumroll* Here are the fiction projects on the horizon!


Books Three and Four of Desert Rising: These are the SheyKhala novels, picking up after Breath of Stone. These are long books—at least 125K words each. They take awhile. That said, Book Three is completely plotted and partially written. Book Four is partially plotted.


Tomorrow's Bones: Continuing the story of Sword and Chant. Chant was written as a stand-alone, but was always the opening to something more. This is a story that nags me often, but has a much smaller audience (at least at this time).


The Slaughterer: Something completely different! A stand-alone about a bounty-hunter pulled into his family's decision to run a kind of Underground Railroad for magic workers.


Suffragette Story: This one dropped into my brain, almost fully formed, during last year's Sirens Conference. It's alternate/secret history of the fight to gain women the right to vote, complete with magic and martial arts.


The new series I still struggle to describe: If I had to describe it, I'd say it's paranormal rural, but sometimes urban, contemporary fantasy. There are ghosts and small towns and historical sites and some city settings and sentient elements being manipulated as weapons. Each book is shorter than my usual tome, and I'd likely complete three of them before even publishing the first.


So... There are considerations that must be taken into account. Current faithful readers, market sizes, audience potential, variable time to be invested on each project...


But I'd love to hear what you think! The reader's perspective, the writer's perspective, your perspective.


Help me out here, my darlings! Talk about preferences as a reader, scheduling experience as a writer, knowledge, gut feelings, EVERYTHING.

Crossposted at Blair MacGregor Books.  Comment here or there.



blairmacg: (FeatherFlow)
I'm watching Mystic River this morning. I do so love this movie, for so many reasons. The experience is somewhat marred by Gambit's seemingly insatiable urge to make his new dog toy squeak. Even Ty is trying to ignore him.

I had end-of-the-world dreams last night of Walking Dead variety, set in one of my dream-brain's stock locations. (It's as if my sleeping self decided it had already put enough effort into set-building and would rather focus on other dream elements from now on.) This one was the brick-terraced garden that at first looks like an over-built university campus, but opens in the back to endless cultivated rolling hills crisscrossed with barbed wire fences beneath a huge set of power lines. I don't remember much about the dream, but do remember a single scene in a greenhouse, when almost-thirteen-year-old Ty Handsome the Wonderdog leapt onto a shelf as high as my shoulders just so he could lick my face. Which is, when you think about it, a pretty nice thing to remember from a dream about rampaging zombies.

And it's worlds better than the dream I had last week--the dream in which I'd been shot in the head, and was stumbling around in search of help. Everyone I met acknowledged that yes, I had been shot in the head. But the usual response was, "But you look like you're doing all right, so no problem," and a return to whatever had been occupying the person before I arrived.

This is my second week of vacation. Most of the first was spent catching up on everything domestic. I scrubbed my house top to bottom, end to end--a task I tend to do in autumn rather than spring--then reorganized some stuff in the garage, purged extra stuff, and sorted out financial information. I did also write a little, but not too much.

That's what this week is for.

Well, it's also for hosting my nephews on Monday and Tuesday so they can see their father--who can rarely find time in his currently-unemployed=but-supported-by-pregnant-girlfriend schedule to see them--over New Year's Eve. I plan to continue my goal to become Auntie Awesome by cooking homemade doughnuts and the like. Before and after, I'll also be trying to cram in visits with friends I haven't seen in far too long. And on Friday, I'll head to downtown Indy with a friend who is thrilled to teach me about geocaching in the city. We'll do some caching, then head to the Slippery Noodle for dinner and music. Best of all, everything in that Friday trip is research for Crossroads!

So... That's it. Nothing all that exciting. Not even a 2013 retrospective or 2014 goal-setting. Maybe I'll get to that later.
blairmacg: (FeatherFlow)

100_2193

That's my outdoor solar lamp. (Frost is covering the little panel on top.) The citronella candle is hiding behind it.

The boy has taken himself off to work, packing Thanksgiving leftovers for dinner. The remaining leftovers are packaged and/or frozen for future meals. The turkey carcass is tucked in the freezer for future soup, and the dogs are mightily disappointed they weren't allowed to take it outside for themselves. (Raw bones are okay, but cooked bones are not.)

Now I'm settling in with warm cranberry wine, goat cheese and sourdough. I've a little noveling to do today.


Making the 50K NaNo goal isn't going to happen, but I did get 20K of first-draft fiction down. This is a big deal, since my fiction projects since Viable Paradise have been all about revising previous works that were salvageable. That 20K of this month is all brand-spanking-new and shiny. Yes, I stumbled around, wrote and deleted at least as much as I kept, and wandered down some research roads when I should have been pounding out words. But I am having fun, so screw the wordcount. :)

Besides, a bunch of other cool things happened this month, and I wouldn't have wanted a miss a single one of them.

(Okay, maybe I'd have wanted to tinker with some of the events, but not miss them altogether. Hee.)
blairmacg: (FeatherFlow)
Many years ago, I was able to attend the Writers of the Future writing workshop in Los Angeles, taught by K.D. Wentworth and Tim Powers. K.D. gave me a piece of short story writing advice: Mutilate the cows on the first page. For me, who had a bad habit of burying the SF element too many words into the story, it was an excellent piece of advice.

But it was Tim whom I got to know quite well during that week, and I had the chance to spend much of a later convention hanging out with him and his wife. Over coffee, I expressed my huge admiration for the event-puzzles Tim wrote as secret histories, and asked his advice on writing about the weird and wild in present-day settings. The conversation was fascinating, far-reaching, and made my brain hurt with the effort to keep up. His process of discovering and connecting historical events with fantastical motivations and influences stuck with me as I plotted out Crossroads of America.

Now, Crossroads is not a complex secret history, though it does draw from real historical reports, regional folklore, and local events. But the biggest missing piece has always been why the major character--Jack--ends up in a position of such influence, why she is the one who must act, and why her actions might have the power to solve the, um... problems.

Today, while hunting Google for the names of a couple locations in the California wilderness, I came upon this:

"Scientists are puzzled by a mysterious Los Padres National Forest hot spot where 400-degree ground ignited a wildfire. The hot spot was discovered by fire crews putting out a three-acre fire last summer in the forest's Dick Smith Wilderness."

And all of a sudden, Jack has a complex backstory that makes her the inevitable choice for the role she must play, and it's all based on an actual event!

Now back to adding words to my NaNo count.
blairmacg: (FeatherFlow)
So I'm waiting for my parents to arrive, and hoping they either beat the line of icky storms or choose to hang out at a coffee shop until it passes.

In the meantime, I'm tinkering with the NaNo project. I've decided to focus on the urban fantasy--Crossroads of America--because I (a) have the research at my fingertips, and (b) grew more excited the more I thought about it.

I love the characters. There's Jacqueline, who prefers to go by Jack--an early-thirties Californian geocaching her way across the country to escape the demons of her past. There's Luke--an early-thirties martial arts instructor who hangs out with an informal group of folks interested in and/or with an affinity for supernatural matters. There's Wyatt--a farmer and medium--and Carrie--an intuitive who works with the Indiana Geological Survey And there's Duncan--Jack's best friend, who knows the secrets she wants to forget.

On the other side, there's Mark--a young man who isn't entirely stable--and the Ditch Devil--who takes full advantage of Mark's ambition and ego-fueled gullibility.

And I throw all those people into museums, war memorials, old catacombs, and planetariums. And there might be wolves.

I've been in love with this concept for years. I want to make it happen!

Familial and work obligations will take the first few days of the month, but I have decided it won't matter if I "finish" NaNo with 50K words. The who idea of NaNoWriMo is what's driving me to finally--finally!--give this novel the time it deserves.

Oh yeah... I should probably finish the Sand revisions, too.

NaNoWriMo

Oct. 20th, 2013 12:28 pm
blairmacg: (FeatherFlow)

And I have signed up.  It’ll be my first time.

Now to choose the project.

The contemporary romance novel?  The upside is the idea barreled into my thoughts, nicely formed.  The downside is I’ve never written romance before, and I must keep reminding myself that—unlike my previous projects—the fate of the world/country/etc. need not hang in the balance for there to be tension.  When writing the outline, I kept trying to drop in fantastical or paranormal elements, but none of them worked.  And again–I’ve never written romance.

What about the urban fantasy I’ve been kicking around in my head for years?  Once upon a time, I had a chapter written, but it has been lost in the multiple moves and computer changes over the last few years.  The upside here is I’m jazzed about the ideas, characters and setting the story in Indianapolis.  The downside is the reason it’s been kicking around in my head is that I’ve never managed to successfully connect the opening plot points with the climax.  NaNo could be the pressure the project needs, or I could end up with little pile of wasted word count.  I’d dearly love to have this project work, since I already have ideas and notes for three sequels.

Then there are other projects that wouldn’t fall under Official NaNo because they’re partials or major revisions—The Drunkard, The Slaughterer, Breath of Stone…  I thought of giving myself the goal to finish Sand of Bone revisions, but despite a few recent potholes, those seem to be ticking along just fine now.

Decisions, decisions, decisions.

Who else is tossing about ideas for NaNo?  Any decisions?

Crossposted to Blair MacGregor Books at Wordpress.


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